The Buddhas of Bamyan (Dari: بت*های باميان) were two 6th-century monumental statues of Gautam Buddha carved into the side of a cliff in the Bamyan valley in the Hazarajat region of central Afghanistan, 230 kilometres (140 mi) northwest of Kabul at an elevation of 2,500 metres (8,200 ft). Built in 507 CE (smaller) and 554 CE (larger),[1] the statues represented the classic blended style of Gandhara art.
They were respectively 35 and 53 m (115 and 174 ft) tall.
The main bodies were hewn directly from the sandstone cliffs, but details were modeled in mud mixed with straw, coated with stucco. This coating, practically all of which wore away long ago, was painted to enhance the expressions of the faces, hands, and folds of the robes; the larger one was painted carmine red and the smaller one was painted multiple colors.[4] The lower parts of the statues' arms were constructed from the same mud-straw mix supported on wooden armatures. It is believed that the upper parts of their faces were made from great wooden masks or casts. The rows of holes that can be seen in photographs held wooden pegs that stabilized the outer stucco.
They were dynamited and destroyed in March 2001 by the Taliban, on orders from leader Mullah Mohammed Omar, after the Taliban government declared that they were idols. An envoy visiting the United States in the following weeks said that they were destroyed to protest international aid exclusively reserved for statue maintenance while Afghanistan was experiencing famine,[7] while the Afghan Foreign Minister claimed that the destruction was merely about carrying out Islamic religious iconoclasm. International opinion strongly condemned the destruction of the Buddhas, which in the following years was primarily viewed as an example of the extreme intolerance of Islamic theocracies
Bamyan lies on the Silk Road, which runs through the Hindu Kush mountain region, in the Bamyan Valley. The Silk Road has been historically a caravan route linking the markets of China with those of the Western world. It was the site of several Buddhist monasteries, and a thriving center for religion, philosophy, and art. Monks at the monasteries lived as hermits in small caves carved into the side of the Bamiyan cliffs. Most of these monks embellished their caves with religious statuary and elaborate, brightly colored frescoes. It was a Buddhist religious site from the 2nd century up to the time of the Islamic invasion in the later half of the 7th century. Until it was completely conquered by the Muslim Saffarids in the 9th century, Bamiyan shared the culture of Gandhara.
The two most prominent statues were the giant standing sculptures of Buddhas Vairocana and Sakyamuni, identified by the different mudras performed. The Buddha popularly called "Solsol" measured 53 meters tall, and "Shahmama" 35 meters—the niches in which the figures stood are 58 and 38 meters respectively from bottom to top.[3][8] Before being blown up in 2001 they were the largest examples of standing Buddha carvings in the world (the 8th century Leshan Giant Buddha is taller,] but that statue is sitting). Since then the Statue of unity has been built in India, and at 182 m (597 ft) it is the tallest statue in the world, breaking the record earlier held by The Spring Temple Buddha 128 m (420 ft) in Fodushan Scenic Area, Lushan County, Henan, China. Plans for the construction of the Spring Temple Buddha were announced soon after the blowing up of the Bamiyan Buddhas and China condemned the systematic destruction of the Buddhist heritage of It is believed that the monumental Buddha sculptures were carved into the cliffs of Bamiyan between the 3rd to 6th centuries AD, while the cave complex in the east, including the 38 meter Buddha, was built in the 3rd or 4th centuries AD. The 55 meter Buddha is believed to date from the 5th and 6th centuries AD. Historic documentation refers to celebrations held every year attracting numerous pilgrims and that offers were made to the monumental statues.
They were perhaps the most famous cultural landmarks of the region, and the site was listed by UNESCO as a World Heritage Site along with the surrounding cultural landscape and archaeological remains of the Bamiyan Valley. Their color faded through time.
Chinese Buddhist pilgrim Xuanzang visited the site on 30 April 630 AD, and described Bamiyan in the Da Tang Xiyu Ji as a flourishing Buddhist center "with more than ten monasteries and more than a thousand monks". He also noted that both Buddha figures were "decorated with gold and fine jewels" (Wriggins, 1995). Intriguingly, Xuanzang mentions a third, even larger, reclining statue of the Buddha. A monumental seated Buddha, similar in style to those at Bamiyan, still exists in the Bingling Temple caves in China's Gansu province.
https://en.wikipedia.org/wiki/Gandhara