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Georg Morris Cohen Brandes
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Old 03-08-2014
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Georg Morris Cohen Brandes


But I would like to believe Hinduism is too valuable for humanity, and sacred Indian books contain too much precious and unique knowledge that it will not sink in oblivion. I’d like to believe that the principles of Indian philosophy and religion are much more in agreement with the needs for the future than any other religion in the world, in agreement with the tendency, known in Western countries as New Age. It’s my deep belief that without India the world will sink in spiritual darkness and ignorance."

Georg Morris Cohen Brandes (4 February 1842 – 19 February 1927) was a Danish critic and scholar who had great influence on Scandinavian and European literature from the 1870s through the turn of the 20th century. He is seen as the theorist behind the "Modern Breakthrough" of Scandinavian culture. At the age of 30, Brandes formulated the principles of a new realism and naturalism, condemning hyper-aesthetic writing and fantasy in literature. According to Brandes, literature should be an organ "of the great thoughts of liberty and the progress of humanity". His literary goals were shared by many authors, among them the Norwegian realist playwright Henrik Ibsen.

When Georg Brandes held a series of lectures in 1871 with the title "Main Currents in 19th-century Literature", he defined the Modern Breakthrough and started the movement that would become Cultural Radicalism. In 1884 Viggo Hørup, Georg Brandes, and his brother Edvard Brandes started the daily newspaper Politiken with the motto: "The paper of greater enlightenment". The paper and their political debates led to a split of the liberal party Venstre in 1905 and created the new party Det Radikale Venstre.



The Modern Breakthrough[edit]

Main article: Modern Breakthrough

Brandes now took his place as the leading northern European critic, applying to local conditions and habits of thought the methods of Taine. He became docent or reader in Belles Lettres at the University of Copenhagen,[1] where his lectures were a great success and gathered huge audiences.[2] His famous opening lecture on 3 November 1871, Hovedstrømninger i det 19de Aarhundredes Litteratur (English: Main Currents in the Literature of the Nineteenth Century), signalled the beginning of his lifelong struggle to modernize Danish literature.[3] On the professorship of Aesthetics becoming vacant in 1872, it was taken as a matter of course that Brandes would be appointed. But the young critic had offended many sensibilities by his ardent advocacy of modern ideas; he was known to be a Jew, his convictions were Radical, he was suspected of being an atheist. The authorities refused to elect him, but his fitness for the post was so obvious that the chair of Aesthetics remained vacant, no one else daring to place himself in comparison with Brandes.[1]





Danish first edition of Brandes' Hovedstrømninger i det 19de Aarhundredes Litteratur – Emigrantlitteraturen from 1872.

In the midst of these polemics, Brandes began to issue the most ambitious of his works, Main Currents in the Literature of the Nineteenth Century, of which four volumes appeared between 1872 and 1875 (English translation, 1901–1905). The brilliant novelty of this criticism of the literature of major European countries at the beginning of the 19th century, and his description of the general revolt against the pseudo-classicism of the 18th century, at once attracted attention outside Denmark. The tumult which gathered round the person of the critic increased the success of the work, and the reputation of Brandes grew apace, especially in Germany and Russia.

In 1877 Brandes left Copenhagen and settled in Berlin, taking a considerable part in the aesthetic life of that city. His political views, however, made Prussia uncomfortable for him, and he returned in 1883 to Copenhagen, where he found a whole new school of writers and thinkers eager to receive him as their leader.

He headed the group "Det moderne Gjennembruds Mænd" (The Men of the Modern Breakthrough), composed of J.P. Jacobsen, Holger Drachmann, Edvard Brandes, Erik Skram, Sophus Schandorph, and Norwegians Henrik Ibsen and Bjørnstjerne Bjørnson but a conservative reaction against his "realistic" doctrines began around 1883, headed by Holger Drachmann




Later authorship[edit]

Among his later writings must be mentioned the monographs on Søren Kierkegaard (1877), on Esaias Tegnér (1878), on Benjamin Disraeli (1878), Ferdinand Lassalle (in German, 1877), Ludvig Holberg (1884), on Henrik Ibsen (1899) and on Anatole France (1905). Brandes wrote with great depth on the main contemporary poets and novelists of Denmark and Norway, and he and his disciples were for a long time the arbiters of literary fame in the north. His Danish Poets (1877), containing studies of Carsten Hauch, Ludvig Bødtcher, Christian Winther and Frederick Paludan-Müller, his Men of the Modern Transition (1883), and his Essays (1889), are volumes essential to the proper study of modern Scandinavian literature. He wrote an excellent book on Poland (1888; English translation, 1903), and was one of the editors of the German version of Ibsen.[1]

The most important of his later works was his study of William Shakespeare (1897–1898), which was translated into English by William Archer, and was highly acclaimed. It was, perhaps, the most authoritative work on Shakespeare not principally intended for an English-speaking audience to have been published in any country.[1] He was afterwards engaged on a history of modern Scandinavian literature. In his critical work, which extended over a wider field than that of any other living writer, Brandes was aided by a singularly charming style, lucid and reasonable, enthusiastic without extravagance, brilliant and colored without affectation. In 1900 he collected his works for the first time in a complete and popular edition, and began to work on a German edition, completed in 1902.[1]

He published Main Currents in Nineteenth-Century Literature in 1906 (six volumes). This book was among the 100 best books for education recommended by Will Durant.[4] Durant and Brandes were both contributors to the Mother Earth magazine. In Volume 2 he says the following about Kierkegaard: "It is not merely in name that this irony bears a fundamental resemblance to Kierkegaard's, which also aristocratically "chooses to be misunderstood". The Ego of genius is the truth, if not in the sense in which Kierkegaard would have us understand his proposition, "Subjectivity is the truth", still in the sense that the Ego has every externally valid commandment and prohibition in its power; and, to the astonishment and scandal of the world, invariably expresses itself in paradoxes. Irony is "divine audacity". In audacity thus comprehended there are endless possibilities. It is freedom from prejudice, yet it suggests the possibility of the most audacious defense of all possible kinds of prejudices. It is more easily attainable, we are told, by woman than by man. “Like the feminine garb, the feminine intellect has this advantage over the masculine, that its possessor by a single daring movement can rise above all the prejudices of civilization and bourgeois conventionality, at once transporting herself into the state of innocence and the lap of Nature". The lap of Nature! There is an echo of Rousseau's voice even in this wanton tirade. We seem to hear the trumpet-call of revolution; what we really hear is only the proclamation of reaction. Rousseau desired to return to the state of nature, when men roamed naked through the pathless forests and lived upon acorns. Schelling wished to turn the course of evolution back to the primeval ages, to the days before man had fallen. Schlegel blows revolutionary melodies on the great romantic "wonder-horn".[5]

Personal life and last years[edit]





Brandes in 1914

In the late 1880s, Brandes fought against what he saw as the hypocrisy of prudish sexuality, which caused a rift with Bjørnstjerne Bjørnson.[6] Between the years of 1886 and 1888 Brandes was engaged in a relationship with the Swedish author Victoria Benedictsson, who wrote Penningar and Fru Marianne under the male pseudonym Ernst Ahlgren. Victoria Benedictsson committed suicide in a Copenhagen hotel room,[7] and the relationship with Brandes has later been blamed as the cause for the death.

In the late 1880s, Brandes turned to concentrating on "great personalities" as the source of culture. In this period, he discovered Friedrich Nietzsche, not only introducing him to Scandinavian culture but indirectly to the whole world.[8] The series of lectures that he gave on Nietzsche's thought, in which he described Friedrich Nietzsche's thought as "aristocratic radicalism", were the first to present him as a world cultural figure in need of full intellectual notice. Of Brandes' description of his philosophy Nietzsche himself remarked: "The expression 'aristocratic radicalism', which you employ, is very good. It is, permit me to say, the cleverest thing that I have yet read about myself".[9] In 1909 the lectures were edited and published as the monograph Friedrich Nietzsche, which included the complete Nietzche/Brandes correspondence as well as two essays in homage to the late Nietzsche's life and thought. Translated into English by A.G. Chater, the volume was published by Heinemann in 1911 and Nietzsche's thought was thus able to reach a significant English language audience before World War I. Interestingly, it was Brandes who, in an 1888 letter,[10] wrote to Nietzsche advising him to read the works of Soren Kierkegaard, with whom his thought had much in common. There is no evidence that Nietzsche ever did read any volume by Kierkegaard.

The key idea of "aristocratic radicalism" went on to influence most of the later works of Brandes and resulted in voluminous biographies Wolfgang Goethe (1914–15), Francois de Voltaire (1916–17), Gaius Julius Cæsar 1918 and Michelangelo (1921).

In the 1900s, he fought the Danish political establishment on several occasions, but eventually had to curb his acidic attacks. However, his international reputation was growing.[6] In many ways he emulated his own assessment of Voltaire, as an author against habitual thinking, hypocrisy and the thin veneer of morality.

He condemned the maltreatment of national minorities, the persecution of Alfred Dreyfus etc. During World War I he condemned the national aggression and imperialism on both sides and his last years were dedicated to anti-religious polemic. In this late period he made new connections to intellectuals like Henri Barbusse and Romain Rolland when he was co-signer in the foundation of Clarté, as well as E. D. Morel.


Yaad Kuch Aata Nahin, Yeh Hua Kab Se...Ho Gaya Mushkil Chhupaana Raaz Yeh Sab Se...Tum Kaho To Maang Loon Main Aaj Kuch Rab Se Rabba mere rabba rabba, rabba mere rabba,Is pyaar ko main kya naam doon Roshni se bhare bhare..Bhare bhare naina tere..Chhooke bole na chhoona mujhe Suraj hua maddham, chaand jalne laga..Aasmaan yeh haai kyoon pighalne laga..Main thehra raha, zameen chalne lagi.. Bheeghi Bheeghi Raaton Mein, Phir Tum Aao Na...Asi Barsaton Mein Aao Na.. Humko Humise Chura Lo, Dil Mein Kahin Tum Chhupa Lo,Hum Akele Kho Naa Jaaye, Door Tumse Ho Naa Jaaye,Paas Aao Gale Se Lagaa Lo Toota Toota ek parinda...Jo bhi kaal hua kal bhi phir aayaga Hai...Tumse milke dil ka hai jo haal kya kahe..Ho gaya hai kaisa yeh kamaal kya kahe Ruka Ja, Oh Jaana Wali Ruka Ja...Nazara Mein To Tera Bhura Sa Sahi..Adami Mein Bhura Nahi Dil Ka Aja Re, Aja Re Oh Mere Dilbar Aja..Dil Ki Pyaas Buja Ja Re...Oh Noorie kabhie kabhie mere dil mein khayaal aata hai...ke jaise tujh ko banaya gaya hai mere liye..ke jaise tujh ko banaya gaya haiKitna bechain hoke tumse mila...Tumko kya tha khabar tha main kitna akela ..Ke kitna mohabbat hai tumse...Hai...Tumse milke dil ka hai jo haal kya kahe..Ho gaya hai kaisa yeh kamaal kya kaheTujhe dekha to yeh jaana sanam..Pyaar hota hai deewana sanam..Tujhe dekha to yeh jaana sanam.Tujhe dekha to yeh jaana sanam..Pyaar hota hai deewana sanam.Ab ahan se kahan jaaye hum..Teri bahon mein mar jaaye hum Aksar is duniya mein anjaane milte hain,Anjaani raahon mein milke kho jaate hain,Lekin hamesha voh yaad aate hain Na kajre ki dhaar, na motiyon ke haar,Na koi kiya singaar phir bhi kitni sundar ho,Tum kitni sundar ho Na jaane mere dil ko kya ho gaya..Abhi to yahin tha, abhi kho gaya..Ho gaya hai tujhko to pyaar sajna..Lakh kar le tu inkaar sajna..Dildaar sajna, hai yeh pyaar sajna



Dil Dooba Dil Dooba...Neela Akho Mein Yeh Dil Dooba.. Neela Neela Amber Per Chand Jab Aye...Aisa Koi Saathi Ho ..Aisa Koi Premi Hoi Jaanam Dekh Lo Mit Gayeen Dooriyaan..Main Yahaan Hoon Yahaan Hoon..Yahaan Hoon..Yahaan...Kaisi Sarhadein...Kaisi Majbooriyaan..Main Yahaan Hoon Yahaan Hoon..Yahaan Hoon..Yahaan...Tum Chhupaa Na Sakogi Main Vo Raaz Hoon...Tum Bhulaa Na Sakogi Vo Andaaz Hoon...Goonjtaa Hoon Jo Dil Mein To Hairaan Ho Kyon...Main Tumhaare Hi Dil Ki To Aavaaz Hoon...Main Yahaan Hoon Yahaan Hoon..Yahaan Hoon..Yahaan... Aisa muhje tu na dehka na...seeena se laga loonga, tum ko tumse chura loonga...dil mein chupa loonga Gila Gila Dil Gila.. Mila mila mila koi mila ...Teri Ha Adaar Laga sab se judaa hai dil tuje per fida hai... Dhoom Dhoom let ya body do the talking..Dhoom Dhoom be the fire thats buring..Dhoom machaalay dhoom machaalay dhoom Tere Liye Hum Hai Jiye..Hota ke siya...Dil mein Magar chalte reha chaahat ke Diya... Zara zara bahekta hai, mahekta hai,Aaj to mera tan badan, main pyaasi hoon,Mujhe bhar le apni baahon mein Dheera dheera se mera zindagi mein ana...tumsi pyar huma hai kitna jaana jaana Pyar ke isa khel mein..do dil aur mehl mein, tera peecha na chodunga soniya Mera mehboob sanam, tera ashiq hogaya hum...milaka nazaaro se nazaar tera pyaar mein kogaya hum... Wada Raha Pyar Se Pyar Ka, Hum Na Hoga Juda, Dil Ke Dhadkhan Sunrha Hai Mera Khudda Dheera Dheera Se Mera Zindagi Mein Ana...Tumsi Pyar Huma Hai Kitna Jaana JaanaSaamne hain raastein, hum guzar jaaye...Ya kisi ke vaaste hum thaher jaaye...Ab yahan tak aa gaye hain, ab kidhar jaaye...Jaaduuuuuuu teri nazar...Kushboo tera baadan..tu har kar, ya nah kar...Kali nagin ke jaise..Zulfe teri kali kali..Sagar ko moti aur..Suraj ko tu dati hai lali..Kali nagin ke jaise..Zulfe teri kali kaliYeh din yeh mahine saal guzar jaayenge mere yaar..Magar itna rakhna khayaal..Jeena sirf mere liye, jeena sirf mere liye..Kasam se jeena sirf mere liye, jeena sirf mere liye Banno ki saheli resham ki dori..Chhup chhupke sharmaaye dekhe chori chori..Yeh maane ya na maane main to ispe mar gaya..Yeh ladki haai allah, haai haai re allah Tum paas aaye, yun muskuraaye,Tumne na jaane kya sapne dikhaaye,Tum paas aaye, yun muskuraaye,Tumne na jaane kya sapne dikhaaye,Ab to mera dil jaage na sota hai,Kya karoon haaye, kuch kuch hota hai
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Quotations

Being gifted requires courage (1869)[citation needed]

That a literature in our time is living is shown in that way that it debates problems. (1871)[citation needed]

The world literature of the future will be more captivating, the more present the national trait in it is, and the more dissimilar it is, as long as it as art and science as well is common to all mankind. (1899)

Poor is the power of the lead that becomes bullets compared to the power of the hot metal that becomes types. (1900)[citation needed]

He who does not understand a joke, he does not understand Danish (1906)[citation needed]

The Danish glee: the national version of cheerfulness. (1909)[citation needed]

The stream of time sweeps away errors, and leaves the truth for the inheritance of humanity[citation needed]

It would be as impossible for me to attack Christianity as it would be impossible for me to attack werewolves.

I was very much surprised when Mill informed me that he had not read a line of Hegel, either in the original or in translation, and regarded the entire Hegelian philosophy as sterile and empty sophistry. I mentally confronted this with the opinion of the man at the Copenhagen University who knew the history of philosophy best, my teacher, Hans Brochner, who knew, so to speak, nothing of contemporary English and French philosophy, and did not think them worth studying. I came to the conclusion that here was a task for one who understood the thinkers of the two directions, who did not mutually understand one another. I thought that in philosophy, too, I knew what I wanted, and saw a road open in front of me.

Reminiscences of my childhood and youth (1906) 276-277


Yaad Kuch Aata Nahin, Yeh Hua Kab Se...Ho Gaya Mushkil Chhupaana Raaz Yeh Sab Se...Tum Kaho To Maang Loon Main Aaj Kuch Rab Se Rabba mere rabba rabba, rabba mere rabba,Is pyaar ko main kya naam doon Roshni se bhare bhare..Bhare bhare naina tere..Chhooke bole na chhoona mujhe Suraj hua maddham, chaand jalne laga..Aasmaan yeh haai kyoon pighalne laga..Main thehra raha, zameen chalne lagi.. Bheeghi Bheeghi Raaton Mein, Phir Tum Aao Na...Asi Barsaton Mein Aao Na.. Humko Humise Chura Lo, Dil Mein Kahin Tum Chhupa Lo,Hum Akele Kho Naa Jaaye, Door Tumse Ho Naa Jaaye,Paas Aao Gale Se Lagaa Lo Toota Toota ek parinda...Jo bhi kaal hua kal bhi phir aayaga Hai...Tumse milke dil ka hai jo haal kya kahe..Ho gaya hai kaisa yeh kamaal kya kahe Ruka Ja, Oh Jaana Wali Ruka Ja...Nazara Mein To Tera Bhura Sa Sahi..Adami Mein Bhura Nahi Dil Ka Aja Re, Aja Re Oh Mere Dilbar Aja..Dil Ki Pyaas Buja Ja Re...Oh Noorie kabhie kabhie mere dil mein khayaal aata hai...ke jaise tujh ko banaya gaya hai mere liye..ke jaise tujh ko banaya gaya haiKitna bechain hoke tumse mila...Tumko kya tha khabar tha main kitna akela ..Ke kitna mohabbat hai tumse...Hai...Tumse milke dil ka hai jo haal kya kahe..Ho gaya hai kaisa yeh kamaal kya kaheTujhe dekha to yeh jaana sanam..Pyaar hota hai deewana sanam..Tujhe dekha to yeh jaana sanam.Tujhe dekha to yeh jaana sanam..Pyaar hota hai deewana sanam.Ab ahan se kahan jaaye hum..Teri bahon mein mar jaaye hum Aksar is duniya mein anjaane milte hain,Anjaani raahon mein milke kho jaate hain,Lekin hamesha voh yaad aate hain Na kajre ki dhaar, na motiyon ke haar,Na koi kiya singaar phir bhi kitni sundar ho,Tum kitni sundar ho Na jaane mere dil ko kya ho gaya..Abhi to yahin tha, abhi kho gaya..Ho gaya hai tujhko to pyaar sajna..Lakh kar le tu inkaar sajna..Dildaar sajna, hai yeh pyaar sajna



Dil Dooba Dil Dooba...Neela Akho Mein Yeh Dil Dooba.. Neela Neela Amber Per Chand Jab Aye...Aisa Koi Saathi Ho ..Aisa Koi Premi Hoi Jaanam Dekh Lo Mit Gayeen Dooriyaan..Main Yahaan Hoon Yahaan Hoon..Yahaan Hoon..Yahaan...Kaisi Sarhadein...Kaisi Majbooriyaan..Main Yahaan Hoon Yahaan Hoon..Yahaan Hoon..Yahaan...Tum Chhupaa Na Sakogi Main Vo Raaz Hoon...Tum Bhulaa Na Sakogi Vo Andaaz Hoon...Goonjtaa Hoon Jo Dil Mein To Hairaan Ho Kyon...Main Tumhaare Hi Dil Ki To Aavaaz Hoon...Main Yahaan Hoon Yahaan Hoon..Yahaan Hoon..Yahaan... Aisa muhje tu na dehka na...seeena se laga loonga, tum ko tumse chura loonga...dil mein chupa loonga Gila Gila Dil Gila.. Mila mila mila koi mila ...Teri Ha Adaar Laga sab se judaa hai dil tuje per fida hai... Dhoom Dhoom let ya body do the talking..Dhoom Dhoom be the fire thats buring..Dhoom machaalay dhoom machaalay dhoom Tere Liye Hum Hai Jiye..Hota ke siya...Dil mein Magar chalte reha chaahat ke Diya... Zara zara bahekta hai, mahekta hai,Aaj to mera tan badan, main pyaasi hoon,Mujhe bhar le apni baahon mein Dheera dheera se mera zindagi mein ana...tumsi pyar huma hai kitna jaana jaana Pyar ke isa khel mein..do dil aur mehl mein, tera peecha na chodunga soniya Mera mehboob sanam, tera ashiq hogaya hum...milaka nazaaro se nazaar tera pyaar mein kogaya hum... Wada Raha Pyar Se Pyar Ka, Hum Na Hoga Juda, Dil Ke Dhadkhan Sunrha Hai Mera Khudda Dheera Dheera Se Mera Zindagi Mein Ana...Tumsi Pyar Huma Hai Kitna Jaana JaanaSaamne hain raastein, hum guzar jaaye...Ya kisi ke vaaste hum thaher jaaye...Ab yahan tak aa gaye hain, ab kidhar jaaye...Jaaduuuuuuu teri nazar...Kushboo tera baadan..tu har kar, ya nah kar...Kali nagin ke jaise..Zulfe teri kali kali..Sagar ko moti aur..Suraj ko tu dati hai lali..Kali nagin ke jaise..Zulfe teri kali kaliYeh din yeh mahine saal guzar jaayenge mere yaar..Magar itna rakhna khayaal..Jeena sirf mere liye, jeena sirf mere liye..Kasam se jeena sirf mere liye, jeena sirf mere liye Banno ki saheli resham ki dori..Chhup chhupke sharmaaye dekhe chori chori..Yeh maane ya na maane main to ispe mar gaya..Yeh ladki haai allah, haai haai re allah Tum paas aaye, yun muskuraaye,Tumne na jaane kya sapne dikhaaye,Tum paas aaye, yun muskuraaye,Tumne na jaane kya sapne dikhaaye,Ab to mera dil jaage na sota hai,Kya karoon haaye, kuch kuch hota hai




 
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Old 03-08-2014   #3
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3D SuperBall Champion! 5 Miles To Go Champion! Air Dodge Champion! Alien Attack Champion! Alien Commander Champion! Altex Champion! Ambush Santa Champion! Ants Champion! Arkanoid Champion! Aski Champion! Autobahn Champion! Badger Basketball Champion! Balloon Bomber Champion! Balloon Hunter Champion! Bat and Mouse 2 Champion! Bat Punch Champion! Battle of Helms Deep Champion! Battle Pong Champion! BlackJack Champion! BlackJack (anime) Champion! Blackjack Fever Champion! bombjack Champion! Bomby Bomy Champion! Bounce Back Champion! Boxteroid Champion! Bubble Bobble Champion! Bug Juice Champion! Bugz Champion! Bunny Grab Champion! Burger Time Champion! Canyon Glider Champion! Carmageddon Champion! Cell-Out Champion! Checkers Champion! Classic Donkey Kong Champion! Cone Crazy Champion! Crab Volleyball Champion! Crazy Cars Champion! Crazy Koala Champion! Crazy Sleigh Champion! Cricket Champion! Daffy Jumper Champion! Defend Your Castle Champion! Dick Quicks Island Adventure Champion! Donkey Kong JR Champion! Donkey Rocket Champion! Duck Tracker Champion! Dutch Sniper Champion! El Emigrante Champion! Elf Toss Champion! Eskiv Champion! Festive Fallout Champion! Find Cupid Champion! Fish Food Champion! Flashbert Champion! Flatout Minigame Champion! Fly Sui Champion! flyplane Champion! Frog It Champion! Frog Mania Champion! Frogger Champion! Garage Tennis Champion! George Wants Beer Champion! Goo Slasher Champion! Gorlog Champion! Hit the Mole Champion! Home Run Champion! Home Run Rally Champion! Ice Cream Blowout Champion! Iceberg Champion! Indiana Jones In Odd-World Champion! Invasion 2196 Champion! Its Mine Champion! Jail Break Champion! James Bomb Champion! Japanese Baseball Champion! Jasons Pong Champion! Jawashoot Champion! jetpacker Champion! Juggler Champion! Karts Champion! Keep Up Champion! Keg Stand Champion! KF 9000 Champion! Killer Bob Champion! Kitten Shooting Champion! Lasagna From Heaven Champion! Lawinen Surfer Champion! Merry Fcking Xmas Champion! Metal Slug Champion! metioriods Champion! Mission To Mars Champion! Monkey Diving Champion! Monkey Lander Champion! Monster Champion! Mosquito Kill Champion! Mouse Kill Champion! Mumu Champion! Ninja Kid Champion! Ninja Turtles 2 Champion! Nut Nut Champion! Pac Lawn Champion! Pac man Ghost 2000 Champion! Paintball Champion! Parachute Panic Champion! Pepsi Pinball Champion! Pere Noel Killer Champion! Ping Champion! Pingpong (aniki) Champion! Pipe Mania Champion! Plasmanaut on Fire Champion! Plasmanout V2 Champion! Plastic Saucer Champion! QB Challenge Champion! qmanoids Champion! Rabbit Hunter Champion! Radial Snake Champion! Rally 2100 Champion! Rat Zapper Champion! Ratman Ralph Champion! Recoil Champion! Roach Kill Champion! Rock Face Rescue Champion! Rocket Racer MX Champion! roflattack Champion! Rope Walker Champion! Sack Smash Champion! secondsofmadness Champion! Sharpshooter Champion! shieldshot Champion! Shooting Hearts Champion! Shuriken Challenge Champion! Smack the Rabbit Champion! Smaugs Treasure Champion! Snake Shooter Champion! Snow Paul Champion! Snowboard Slalom Champion! Sonny Sunshine Champion! South Park - Kenny Champion! Space Ace: Arcade Champion! Space Hunter Champion! Space Rescue Champion! Spot the Difference Champion! Spy Hunter Champion! Starship Legend Champion! Stick Avalanche Champion! Target Champion! The Claw Game Champion! The Gritch Champion! Tiger Moth Champion! Tiger Punch Champion! Turbo Turtle Champion! Turkey Sleigh Champion! UFO Shoot Out Champion! War on Terror Champion! Watch Out Champion! Where is the ball Champion! Wicked Witch Champion! Witch Hunt Champion! Worms 3D Champion! Xmas Trivia 4 Champion! Xmas Trivia 5 Champion! Yankee Go Home Champion! Golden Shower Champion! Nude Runner Champion! Pissing Game Champion!
Star Sign: Star Sign
Status:
:|
418. Georg Morris Cohen Brandes (1842 – 1927) was born in Copenhagen of middle-class Jewish parents. He was a Danish critic and scholar who had great influence on Scandinavian literature from the 1870s through the turn of the 20th century. He is the author of several books including Jesus, A Myth and The World at War and Voltaire and Friedrich Nietzsche

In the midst of these polemics the critic began to issue the most ambitious of his works, Main Currents in the Literature of the Nineteenth Century, of which four volumes appeared between 1872 and 1875 (English translation, 1901-1905). The brilliant novelty of this criticism of the literature of major European countries at the beginning of the 19th century, and his description of the general revolt against the pseudo-classicism of the 18th century, at once attracted attention outside Denmark.

Brandes claimed that:

‘His spiritual home was on the banks of the Ganga.”


Yaad Kuch Aata Nahin, Yeh Hua Kab Se...Ho Gaya Mushkil Chhupaana Raaz Yeh Sab Se...Tum Kaho To Maang Loon Main Aaj Kuch Rab Se Rabba mere rabba rabba, rabba mere rabba,Is pyaar ko main kya naam doon Roshni se bhare bhare..Bhare bhare naina tere..Chhooke bole na chhoona mujhe Suraj hua maddham, chaand jalne laga..Aasmaan yeh haai kyoon pighalne laga..Main thehra raha, zameen chalne lagi.. Bheeghi Bheeghi Raaton Mein, Phir Tum Aao Na...Asi Barsaton Mein Aao Na.. Humko Humise Chura Lo, Dil Mein Kahin Tum Chhupa Lo,Hum Akele Kho Naa Jaaye, Door Tumse Ho Naa Jaaye,Paas Aao Gale Se Lagaa Lo Toota Toota ek parinda...Jo bhi kaal hua kal bhi phir aayaga Hai...Tumse milke dil ka hai jo haal kya kahe..Ho gaya hai kaisa yeh kamaal kya kahe Ruka Ja, Oh Jaana Wali Ruka Ja...Nazara Mein To Tera Bhura Sa Sahi..Adami Mein Bhura Nahi Dil Ka Aja Re, Aja Re Oh Mere Dilbar Aja..Dil Ki Pyaas Buja Ja Re...Oh Noorie kabhie kabhie mere dil mein khayaal aata hai...ke jaise tujh ko banaya gaya hai mere liye..ke jaise tujh ko banaya gaya haiKitna bechain hoke tumse mila...Tumko kya tha khabar tha main kitna akela ..Ke kitna mohabbat hai tumse...Hai...Tumse milke dil ka hai jo haal kya kahe..Ho gaya hai kaisa yeh kamaal kya kaheTujhe dekha to yeh jaana sanam..Pyaar hota hai deewana sanam..Tujhe dekha to yeh jaana sanam.Tujhe dekha to yeh jaana sanam..Pyaar hota hai deewana sanam.Ab ahan se kahan jaaye hum..Teri bahon mein mar jaaye hum Aksar is duniya mein anjaane milte hain,Anjaani raahon mein milke kho jaate hain,Lekin hamesha voh yaad aate hain Na kajre ki dhaar, na motiyon ke haar,Na koi kiya singaar phir bhi kitni sundar ho,Tum kitni sundar ho Na jaane mere dil ko kya ho gaya..Abhi to yahin tha, abhi kho gaya..Ho gaya hai tujhko to pyaar sajna..Lakh kar le tu inkaar sajna..Dildaar sajna, hai yeh pyaar sajna



Dil Dooba Dil Dooba...Neela Akho Mein Yeh Dil Dooba.. Neela Neela Amber Per Chand Jab Aye...Aisa Koi Saathi Ho ..Aisa Koi Premi Hoi Jaanam Dekh Lo Mit Gayeen Dooriyaan..Main Yahaan Hoon Yahaan Hoon..Yahaan Hoon..Yahaan...Kaisi Sarhadein...Kaisi Majbooriyaan..Main Yahaan Hoon Yahaan Hoon..Yahaan Hoon..Yahaan...Tum Chhupaa Na Sakogi Main Vo Raaz Hoon...Tum Bhulaa Na Sakogi Vo Andaaz Hoon...Goonjtaa Hoon Jo Dil Mein To Hairaan Ho Kyon...Main Tumhaare Hi Dil Ki To Aavaaz Hoon...Main Yahaan Hoon Yahaan Hoon..Yahaan Hoon..Yahaan... Aisa muhje tu na dehka na...seeena se laga loonga, tum ko tumse chura loonga...dil mein chupa loonga Gila Gila Dil Gila.. Mila mila mila koi mila ...Teri Ha Adaar Laga sab se judaa hai dil tuje per fida hai... Dhoom Dhoom let ya body do the talking..Dhoom Dhoom be the fire thats buring..Dhoom machaalay dhoom machaalay dhoom Tere Liye Hum Hai Jiye..Hota ke siya...Dil mein Magar chalte reha chaahat ke Diya... Zara zara bahekta hai, mahekta hai,Aaj to mera tan badan, main pyaasi hoon,Mujhe bhar le apni baahon mein Dheera dheera se mera zindagi mein ana...tumsi pyar huma hai kitna jaana jaana Pyar ke isa khel mein..do dil aur mehl mein, tera peecha na chodunga soniya Mera mehboob sanam, tera ashiq hogaya hum...milaka nazaaro se nazaar tera pyaar mein kogaya hum... Wada Raha Pyar Se Pyar Ka, Hum Na Hoga Juda, Dil Ke Dhadkhan Sunrha Hai Mera Khudda Dheera Dheera Se Mera Zindagi Mein Ana...Tumsi Pyar Huma Hai Kitna Jaana JaanaSaamne hain raastein, hum guzar jaaye...Ya kisi ke vaaste hum thaher jaaye...Ab yahan tak aa gaye hain, ab kidhar jaaye...Jaaduuuuuuu teri nazar...Kushboo tera baadan..tu har kar, ya nah kar...Kali nagin ke jaise..Zulfe teri kali kali..Sagar ko moti aur..Suraj ko tu dati hai lali..Kali nagin ke jaise..Zulfe teri kali kaliYeh din yeh mahine saal guzar jaayenge mere yaar..Magar itna rakhna khayaal..Jeena sirf mere liye, jeena sirf mere liye..Kasam se jeena sirf mere liye, jeena sirf mere liye Banno ki saheli resham ki dori..Chhup chhupke sharmaaye dekhe chori chori..Yeh maane ya na maane main to ispe mar gaya..Yeh ladki haai allah, haai haai re allah Tum paas aaye, yun muskuraaye,Tumne na jaane kya sapne dikhaaye,Tum paas aaye, yun muskuraaye,Tumne na jaane kya sapne dikhaaye,Ab to mera dil jaage na sota hai,Kya karoon haaye, kuch kuch hota hai




 
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