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Hinduism: Classification of scriptures
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Hinduism: Classification of scriptures




Classification of Scriptures



Whereas most major religions of the world base their beliefs on certain books which adherents believe are the words of God or other supernatural beings, Hinduism is based on "the accumulated treasury of spiritual laws discovered by different persons in different times."

The earliest records of these laws are called the Vedas. Hindus do not claim that God or any person created the Vedas; the Vedas are said to be without beginning and without end.


Quote:
"Just as the law of gravitation existed before its discovery and would exist if all humanity forgot it, so is it with the laws that govern the spiritual world."

The Vedas have therefore been called apaurusheya ("not man-made").The ancient sages who first discovered the spiritual knowledge known as the Vedas are called rishis.

The Vedas were transmitted orally, in verse form to aid memorization, for many years before they were written down. The earliest hymns (mantras) of the Vedas, contained in the Rig Veda, date back to at least 1000 BC.

Over many centuries, the teachings of the Vedas were expanded upon by other sages, and other scriptures were written. Some of the most prominent of these scriptures are the Bhagavad Gita, the Brahma Sutras, and the epics Ramayana and Mahabharata.

Most Hindu scriptures were written in the Sanskrit language, which is widely used even today in religious and literary settings.

In contrast to the Biblical canon in mainstream Christianity, the Hindu scriptural canon is not closed; Hindus believe that since the spiritual truths of the Vedas are eternal, they may continue to be expressed in new ways in the future.

A sage today can realize the same truths that the ancient rishis realized. New scriptures may continue to be written to express the truths of the Vedas in ways that will be accessible to the people of different times and places.

For this reason, Hindus may venerate the words of a modern saint--Sri Ramakrishna, Sai Baba, or Sri Ramana Maharshi, for example--as much as those of the ancient rishis. There is a special veneration for ancient scriptures since they have been validated by many sages and thinkers over the course of many years.
Many Hindus may even venerate the scriptures of other religions, since liberal Hinduism teaches that the one divinity can reveal itself in innumerable ways. A much-quoted pada (verse) from the Rigveda that emphasizes the diversity of paths to the one goal is:



Quote:
"ekam sat viprā bahudhā vadanti"

Translation: "Truth is one, the wise call it by many names"
—Rig Veda 1.164.46c

Thus, Hinduism accepts a large number of scriptures, and remains open to any new revelations. Because the same eternal spiritual truths can be viewed from innumerable perspectives, there is relatively little theological quarrel among Hindu denominations.

Note, however, that some denominations may be more inclined toward this all-inclusive attitude than others. For instance, although followers of Advaita Vedanta and Smartism often place heavy emphasis on the view that God can be worshipped in any form, many members of the Vaishnava sect believe that spiritual liberation can be attained only through submission to God in the form of Vishnu.

Hindus do not focus on whether the stories found in the scriptures are accurate from a historicaly accurate; they are more concerned with the spiritual lessons found in the scriptures.

Hindus readily admit that their scriptures contain a mix of historical fact, myth, and spiritual truths; their main concern is the deeper spiritual meaning of the various stories and teachings. Hinduism exegesis often leans toward figurative interpretations of scriptures rather than literal ones.

Hindu sages (rishis)--in contrast with Judeo-Christian and Muslim prophets--do not focus on predicting the future or warning of the judgment of God; they are more concerned with two things: (1) teaching mystical truths, and (2) providing guidance regarding how one can become morally, spiritually, and physically pure.




The overwhelming majority of Hindu sacred texts are composed in the Sanskrit language. Indeed, much of the morphology and linguistic philosophy inherent in the learning of Sanskrit is sometimes claimed to be inextricably linked to study of the Vedas and relevant Hindu scriptures. Hindu scripture is called Shāstra. The scriptures may be divided into two parts: Shruti and Smriti.


Shruti (Vedic literature)

The Rig Veda is one of the world's oldest religious texts. Shown here is a Rig Veda manuscript in Devanagari, early 19th century.The Hindus refer to the Vedas (वेद, literally, "Knowledge") as Shruti (literally, "that which has been heard"), since they were handed down orally from teacher to disciple throughout many generations.

The Vedas are said to have been eternal truths originally realized in deep meditation by the ancient sages called rishis . Scholars have not been able to date the written form of the Vedas with much certainty, but even the most conservative scholars place them at 1200 B.C. or earlier.

While many modern Hindus may never read the Vedas, they revere the Vedas as the spiritual foundation out of which later, more widely-read scriptures (smriti) developed.

The Vedas have been divided in various ways. One simple way is to divide the Vedas into two sections according to their subject matter:

The Karma Kānda ("the action part"), deals with karma, rituals, and sacrifices the purpose of which is to attain material prosperity on earth and the benefits of heaven after death.

The Jnāna Kānda ("the knowledge part"), is concerned with the spiritual Knowledge that brings liberation from ignorance and realization of the Ultimate Truth. The Upanishads constitute a major portion of the Jnāna Kānda.

The Upaninshads contain the bulk of the Vedas' philosophical and mystical teachings. The teachings of the Upanishads emphasize several key points (which are interpreted variously by various schools of thought):

The deepest source of all reality, called Brahman, is identical with the innermost self of man (ātman).

As long as one does not realize this relationship, one is subject to a seemingly endless round of rebirths (sansāra).
A conscious realization of the essential identity of the ātman and Brahman leads to liberation from sansāra.



Smriti

The Hindu texts other than the Shrutis are called, as a group, the Smnitis (lit., "memory"). All of them laud the Vedas. The most notable of the Smritis are the Itihāsas (epics), such as the Mahābhārata and the Rāmāyaṇa, considered sacred by almost all Hindus.

Also widely known are the eighteen Purānas ("ancient histories"). The Purānas (not historical in the usual Western sense) impart Vedic ideas through vivid narratives concerning various stories and adventures of various deities, and their interactions with humans. Prominent Purānas include the Srīmad Bhāgavatam, the Devī Mahātmya(an ode to God as the Divine Mother), the Yoga Sūtras (a key meditative yoga text by the sage Patañjali), the Tantras, and the Manusmniti, as well as the Mahanirvāna Tantra, Tirumantiram and Shiva Sūtras.

The Rāmāyan, the Mahābhārat and many Purānas, which today's Hindus read far more widely than the Vedas, do much to inspire the temple and icon worship of modern Hinduism. Many Hindus attach more importance to the ethics and the metaphorical meanings derived from these texts than to the literal narratives themselves.

Other important scriptures are the sectarian Hindu Āgamas, which are texts related to rituals and worship dedicated to Vishnu, Shiva and Devī. The Shruti is generally held to take precedence over the Smriti in any apparent dispute.


Bhagavad Gita

Bhagavad Gītā (भगवद् गीता), often referred to as the Gītā, is one of the most popular sacred texts of Hinduism. It is an integral part of the epic Mahābhārata and contains philosophical sermons taught by Shri Krishna, an incarnation of Visihnu, to the Pāndav prince Arjuna just before a great war. The Bhagavad Gītā is described as the essence of the Vedas.






Yaad Kuch Aata Nahin, Yeh Hua Kab Se...Ho Gaya Mushkil Chhupaana Raaz Yeh Sab Se...Tum Kaho To Maang Loon Main Aaj Kuch Rab Se Rabba mere rabba rabba, rabba mere rabba,Is pyaar ko main kya naam doon Roshni se bhare bhare..Bhare bhare naina tere..Chhooke bole na chhoona mujhe Suraj hua maddham, chaand jalne laga..Aasmaan yeh haai kyoon pighalne laga..Main thehra raha, zameen chalne lagi.. Bheeghi Bheeghi Raaton Mein, Phir Tum Aao Na...Asi Barsaton Mein Aao Na.. Humko Humise Chura Lo, Dil Mein Kahin Tum Chhupa Lo,Hum Akele Kho Naa Jaaye, Door Tumse Ho Naa Jaaye,Paas Aao Gale Se Lagaa Lo Toota Toota ek parinda...Jo bhi kaal hua kal bhi phir aayaga Hai...Tumse milke dil ka hai jo haal kya kahe..Ho gaya hai kaisa yeh kamaal kya kahe Ruka Ja, Oh Jaana Wali Ruka Ja...Nazara Mein To Tera Bhura Sa Sahi..Adami Mein Bhura Nahi Dil Ka Aja Re, Aja Re Oh Mere Dilbar Aja..Dil Ki Pyaas Buja Ja Re...Oh Noorie kabhie kabhie mere dil mein khayaal aata hai...ke jaise tujh ko banaya gaya hai mere liye..ke jaise tujh ko banaya gaya haiKitna bechain hoke tumse mila...Tumko kya tha khabar tha main kitna akela ..Ke kitna mohabbat hai tumse...Hai...Tumse milke dil ka hai jo haal kya kahe..Ho gaya hai kaisa yeh kamaal kya kaheTujhe dekha to yeh jaana sanam..Pyaar hota hai deewana sanam..Tujhe dekha to yeh jaana sanam.Tujhe dekha to yeh jaana sanam..Pyaar hota hai deewana sanam.Ab ahan se kahan jaaye hum..Teri bahon mein mar jaaye hum Aksar is duniya mein anjaane milte hain,Anjaani raahon mein milke kho jaate hain,Lekin hamesha voh yaad aate hain Na kajre ki dhaar, na motiyon ke haar,Na koi kiya singaar phir bhi kitni sundar ho,Tum kitni sundar ho Na jaane mere dil ko kya ho gaya..Abhi to yahin tha, abhi kho gaya..Ho gaya hai tujhko to pyaar sajna..Lakh kar le tu inkaar sajna..Dildaar sajna, hai yeh pyaar sajna



Dil Dooba Dil Dooba...Neela Akho Mein Yeh Dil Dooba.. Neela Neela Amber Per Chand Jab Aye...Aisa Koi Saathi Ho ..Aisa Koi Premi Hoi Jaanam Dekh Lo Mit Gayeen Dooriyaan..Main Yahaan Hoon Yahaan Hoon..Yahaan Hoon..Yahaan...Kaisi Sarhadein...Kaisi Majbooriyaan..Main Yahaan Hoon Yahaan Hoon..Yahaan Hoon..Yahaan...Tum Chhupaa Na Sakogi Main Vo Raaz Hoon...Tum Bhulaa Na Sakogi Vo Andaaz Hoon...Goonjtaa Hoon Jo Dil Mein To Hairaan Ho Kyon...Main Tumhaare Hi Dil Ki To Aavaaz Hoon...Main Yahaan Hoon Yahaan Hoon..Yahaan Hoon..Yahaan... Aisa muhje tu na dehka na...seeena se laga loonga, tum ko tumse chura loonga...dil mein chupa loonga Gila Gila Dil Gila.. Mila mila mila koi mila ...Teri Ha Adaar Laga sab se judaa hai dil tuje per fida hai... Dhoom Dhoom let ya body do the talking..Dhoom Dhoom be the fire thats buring..Dhoom machaalay dhoom machaalay dhoom Tere Liye Hum Hai Jiye..Hota ke siya...Dil mein Magar chalte reha chaahat ke Diya... Zara zara bahekta hai, mahekta hai,Aaj to mera tan badan, main pyaasi hoon,Mujhe bhar le apni baahon mein Dheera dheera se mera zindagi mein ana...tumsi pyar huma hai kitna jaana jaana Pyar ke isa khel mein..do dil aur mehl mein, tera peecha na chodunga soniya Mera mehboob sanam, tera ashiq hogaya hum...milaka nazaaro se nazaar tera pyaar mein kogaya hum... Wada Raha Pyar Se Pyar Ka, Hum Na Hoga Juda, Dil Ke Dhadkhan Sunrha Hai Mera Khudda Dheera Dheera Se Mera Zindagi Mein Ana...Tumsi Pyar Huma Hai Kitna Jaana JaanaSaamne hain raastein, hum guzar jaaye...Ya kisi ke vaaste hum thaher jaaye...Ab yahan tak aa gaye hain, ab kidhar jaaye...Jaaduuuuuuu teri nazar...Kushboo tera baadan..tu har kar, ya nah kar...Kali nagin ke jaise..Zulfe teri kali kali..Sagar ko moti aur..Suraj ko tu dati hai lali..Kali nagin ke jaise..Zulfe teri kali kaliYeh din yeh mahine saal guzar jaayenge mere yaar..Magar itna rakhna khayaal..Jeena sirf mere liye, jeena sirf mere liye..Kasam se jeena sirf mere liye, jeena sirf mere liye Banno ki saheli resham ki dori..Chhup chhupke sharmaaye dekhe chori chori..Yeh maane ya na maane main to ispe mar gaya..Yeh ladki haai allah, haai haai re allah Tum paas aaye, yun muskuraaye,Tumne na jaane kya sapne dikhaaye,Tum paas aaye, yun muskuraaye,Tumne na jaane kya sapne dikhaaye,Ab to mera dil jaage na sota hai,Kya karoon haaye, kuch kuch hota hai
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